Shyer’s family expressed their deep loss in a statement, saying, “It’s with an indescribably heavy heart that we share the news of our beloved father, Charles Shyer’s passing. His loss leaves an unfillable hole in our lives, but his legacy lives on through his children and the five decades of wonderful work he’s left behind.” Shyer’s career spanned decades, leaving an indelible mark on the entertainment industry.
After Private Benjamin, Shyer directed hits like Baby Boom, starring Diane Keaton, and the iconic Father of the Bride films featuring Steve Martin and Keaton. He also helmed Irreconcilable Differences and co-wrote the 1998 remake of The Parent Trap, starring Lindsay Lohan. Reflecting on the success of The Parent Trap Shyer told Variety in 2020, “This movie had the fantasy of getting your parents back together. So many kids come from broken homes. I did, and I think it fulfilled that dream for kids.”
The remarkable journey of Charles Shyer
Born in Los Angeles, Shyer was immersed in filmmaking from an early age. His father, Melville Shyer, was a founding member of the Directors Guild of America and worked with D.W. Griffith. After attending UCLA, Charles began his career writing for television hits like The Odd Couple, Happy Days, and The Partridge Family. He eventually transitioned to feature films, earning his first credit for writing the Burt Reynolds starrerSmokey and the Bandit in 1977.
Shyer’s later works included directing The Affair of the Necklace and co-writing and directing Alfie in 2004 with Jude Law. His most recent directorial effort was Netflix’s 2022 Christmas film The Noel Diary, and he co-wrote last year’s holiday movie Best. Christmas. Ever. Though he had planned to adapt the children’s classic Eloise in Paris the project was ultimately shelved.
Shyer is survived by his daughters Hallie Meyers-Shyer, Annie Meyers-Shyer, Sophia, and his son Jacob. His legacy is carried forward not only through his family but also through his timeless films that continue to resonate with audiences worldwide.
